From intimate personal narratives to teeming markets and the world from a dog’s perspective, the LensCulture street photography awards celebrate the explosion in popularity of the form over the past decade
Grace and elegance emerge from chaos in this shot of an old man feeding pigeons Photograph: Alexandre Grand
Taken on the afternoon of 23 July 2016 at the Tongi railway station in Gazipur, Bangladesh. ‘I arrived to shoot in the early morning and waited. It was raining heavily. As a train from Dhaka reached the platform, I suddenly noticed a pair of curious eyes looking at me through the window, while on the left, someone had opened a black umbrella. The mist on the glass and that piercing gaze created a dreamy environment filled with questions’ Photograph: moin/Moin Ahmed
Diamond Days is an exploration of the commonplace with a playful touch, a sense of joy and slight unease Photograph: Manuel Armenis
An exploration of the world of pet parents, from a dog’s-eye view Photograph: Dougie Wallace
‘One morning in 2016, on a tube journey into central London, I looked up to see a lady dressed in a velvet hood, seated in a classical, timeless pose. Immediately, a 16th-century Flemish painting came to mind. I looked around and suddenly found I couldn’t see anything else but people held in their own Renaissance-like, personal moments’ Photograph: Matt Crabtree
For Hakan Simsek street photography is in an instinctive practice. ‘My chosen photographs are flashes about myself and my death’ Photograph: Hakan Simsek
there are more to see in The Guardian here
and for more information and further images go to the LensCulture site here